Accepted Payment Methods
Apple
Software Final Cut Pro X
MFR #FINCUTPROX
Τιμή:
€ 300.00 + ΦΠΑ
Online τιμή:
€ 288.00
+ ΦΠΑ
✓ Σε 6 άτοκες δόσεις ή μέχρι 36 έντοκες δόσεις.
- Editing Software for MAC
- Superior 4K/2K/HD/SD workflow
- Sony XAVC , XAVC S support
- Panasonic AVC-Ultra/AVC-Intra support
- Canon XF-AVC Support
- ARRI AMIRA, RED RAW Support
- 4K, 5K and 6K RED Support
- Industry-leading tools
Final Cut Pro X
Optimized for the new Mac Pro, Final Cut Pro X lets you edit and deliver like never before. Work with multiple streams of 4K ProRes at full resolution. Play back complex graphics and effects in real time without rendering. Even output your 4K video to ultra-high-definition displays via HDMI and Thunderbolt 2.
Final Cut Pro has been updated for the next-generation architecture in the new Mac Pro, providing unprecedented performance when editing and monitoring 4K video and working with complex graphics and effects.
Smoothly edit multiple streams of 4K at full resolution. An enhanced playback architecture paired with the power of the new Mac Pro lets you edit Multicam with up to 16 simultaneous streams of 4K ProRes. And if you prefer to work directly with 4K camera formats, Final Cut Pro natively supports Sony XAVC, REDCODE RAW, and more.
Final Cut Pro uses both graphics cards to play back effects the moment you add them, so you can color grade, retime video, and apply complex filters ― all in real time. And Final Cut Pro is optimized to use both GPUs for demanding tasks like optical flow analysis, which lets you create stunning slow motion faster than ever.
For the first time, Final Cut Pro supports external monitoring at resolutions up to 4K. Use the HDMI port on the new Mac Pro to connect directly to a high-quality display. Or use third‑party I/O devices for gorgeous 10-bit video monitoring via Thunderbolt 2.
4K Powerhouse
Final Cut Pro has been updated for the next-generation architecture in the new Mac Pro, providing unprecedented performance when editing and monitoring 4K video and working with complex graphics and effects.
Editing
Smoothly edit multiple streams of 4K at full resolution. An enhanced playback architecture paired with the power of the new Mac Pro lets you edit Multicam with up to 16 simultaneous streams of 4K ProRes. And if you prefer to work directly with 4K camera formats, Final Cut Pro natively supports Sony XAVC, REDCODE RAW, and more.
Real-Time Graphics and Effects
Final Cut Pro uses both graphics cards to play back effects the moment you add them, so you can color grade, retime video, and apply complex filters ― all in real time. And Final Cut Pro is optimized to use both GPUs for demanding tasks like optical flow analysis, which lets you create stunning slow motion faster than ever.
Video Monitoring
For the first time, Final Cut Pro supports external monitoring at resolutions up to 4K. Use the HDMI port on the new Mac Pro to connect directly to a high-quality display. Or use third‑party I/O devices for gorgeous 10-bit video monitoring via Thunderbolt 2.
High Speed Export
Final Cut Pro harnesses the power of both GPUs in the new Mac Pro to accelerate rendering and export in the background, so you can deliver files as fast as you edit. Create 4K ProRes masters and even export directly to YouTube at 4K resolution.
Choose from a range of simple animated 3D templates to get started fast. Or use cinematic templates with built-in backgrounds to create stunning looks in one click.1
Create a new title or make an existing 2D title 3D with a single click. Mix and match materials, lighting, and edges in hundreds of combinations — and save your creations as custom text styles — right in Final Cut Pro.1
Instantly open any title in Motion to take full control. Add multiple lights and cameras, then track your text across the frame. You can even create a scene in full 3D with multiple objects featuring custom shadows and reflections.1
Simultaneously view up to four scopes with preset layouts to maximize screen space on any display. The Color Board is now part of the Color Correction effect, which you can add to any clip with a quick keystroke or double-click. And you can even reorder color correction by simply dragging in the Inspector to change where it’s processed in the effects stack.
Every effect — even third-party plug-ins — now includes Shape and Color masks so you can precisely target which areas of the image are affected. And when masking videos or photos, use the new Draw mask to create a custom outline with options for linear, bezier, or B‑spline smoothing.
Final Cut Pro includes support for the entire Panasonic AVC-Ultra family in addition to Sony XAVC S and JVC H.264 Long GOP. And now you can directly import Sony XAVC and XDCAM formats without the need for a separate plug-in.
Fly through RED RAW footage with GPU-accelerated playback, rendering, and transcoding — including support for dual GPUs on Mac Pro. Final Cut Pro also automatically displays RED RAW anamorphic formats in the correct aspect ratio, so you can work effortlessly with widescreen footage.
Create a custom look from one or more effects, then easily save it to the Effects Browser for quick access later.
Smart Collections can now help you organize across an entire library. Every new library starts with a useful set of Smart Collections created for you, and you can make your own in a few quick clicks.
Importing media is faster with media management, transcoding, keywording, and image analysis options consolidated in the single import window. See at a glance where your media will go and how it will be analyzed on import.
Tap the power of the GPU — or two — to render projects faster than ever when using “Send to Compressor.” And when exporting to H.264, take advantage of hardware-accelerated encoding for ultrafast delivery on compatible systems.
Import, edit, and share MXF files with Final Cut Pro X and Motion. Native support means there’s no need to transcode or rewrap MXF files from asset management systems or third-party apps. Included Compressor settings make it simple to export OP1a MXF files in a variety of frame rates, frame sizes, and codecs.
Create gorgeous slow motion that replicates the look of footage from a high-speed camera. The new optical flow features even faster analysis and more realistic results than before.
Choose from a range of simple animated 3D templates to get started fast. Or use cinematic templates with built-in backgrounds to create stunning looks in one click.1
Create a new title or make an existing 2D title 3D with a single click. Mix and match materials, lighting, and edges in hundreds of combinations — and save your creations as custom text styles — right in Final Cut Pro.1
Instantly open any title in Motion to take full control. Add multiple lights and cameras, then track your text across the frame. You can even create a scene in full 3D with multiple objects featuring custom shadows and reflections.1
Simultaneously view up to four scopes with preset layouts to maximize screen space on any display. The Color Board is now part of the Color Correction effect, which you can add to any clip with a quick keystroke or double-click. And you can even reorder color correction by simply dragging in the Inspector to change where it’s processed in the effects stack.
Every effect — even third-party plug-ins — now includes Shape and Color masks so you can precisely target which areas of the image are affected. And when masking videos or photos, use the new Draw mask to create a custom outline with options for linear, bezier, or B‑spline smoothing.
Final Cut Pro includes support for the entire Panasonic AVC-Ultra family in addition to Sony XAVC S and JVC H.264 Long GOP. And now you can directly import Sony XAVC and XDCAM formats without the need for a separate plug-in.
Fly through RED RAW footage with GPU-accelerated playback, rendering, and transcoding — including support for dual GPUs on Mac Pro. Final Cut Pro also automatically displays RED RAW anamorphic formats in the correct aspect ratio, so you can work effortlessly with widescreen footage.
Create a custom look from one or more effects, then easily save it to the Effects Browser for quick access later.
Smart Collections can now help you organize across an entire library. Every new library starts with a useful set of Smart Collections created for you, and you can make your own in a few quick clicks.
Importing media is faster with media management, transcoding, keywording, and image analysis options consolidated in the single import window. See at a glance where your media will go and how it will be analyzed on import.
Tap the power of the GPU — or two — to render projects faster than ever when using “Send to Compressor.” And when exporting to H.264, take advantage of hardware-accelerated encoding for ultrafast delivery on compatible systems.
Import, edit, and share MXF files with Final Cut Pro X and Motion. Native support means there’s no need to transcode or rewrap MXF files from asset management systems or third-party apps. Included Compressor settings make it simple to export OP1a MXF files in a variety of frame rates, frame sizes, and codecs.
Create gorgeous slow motion that replicates the look of footage from a high-speed camera. The new optical flow features even faster analysis and more realistic results than before.
Πηγή: https://itunes.apple.com/us/app/final-cut-pro/id424389933?mt=12
